Erebus dreadbox v37/30/2023 ![]() The FM control determines the strength of frequency modulation from Osc 3 to Osc 1 and 2. Like Osc 1, the pulse width can be modulated using patch points, but here you’ll also find a ‘supersaw’ wave that can come under PW control as well – and this alone makes for some very thick tones. The large tuning range of this oscillator allows it to extend down into very slow LFO modulation territory (with a cycle time of nearly two minutes). In other words, this is a form of audio rate amplitude modulation, and allows for a lot of scope in creating weird, clangorous, undulating and engaging tones – especially given the added flexibility of the multiple patching points. The separate Osc 3 section really makes a difference to the flexibility of ErebusĪn interesting addition though is the Triple Ring section, which allows you to use the pulse waveform from Osc 1 to switch between the triangle waveform of the Osc 2 and sine from a new additional oscillator section. Each also has a dedicated glide control (which sadly only works when the synth is under MIDI control). In terms of raw sound generation the Erebus is based around the two-oscillator design from before, with each oscillator getting its own tuning and waveform selection controls, and with a mix slider setting the balance between the two. While versions 1 and 2 of this synth were very similar to each other in terms of looks and functionality, the new Erebus has been expanded both physically and functionally – with the most obvious changes being an additional oscillator and envelope plus greater patching capability. Here we look at the Erebus Version 3 desktop synthesiser.
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